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Flowers of Four Seasons, with Poems

Wang Guxiang (Chinese, 1501-1568)1531

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

In this painting, flowers are loosely arranged by the seasons: narcissus and peony represent early spring; yellow loquat and lotus, summer; chrysanthemum, autumn; and the plum and evergreen bamboo, winter. The artist added to each flower a poetic line of calligraphy associating each plant with a historic or legendary figure. For example, the chrysanthemum, along with the line “The untrammeled joy at the eastern fence,” refers to the poet Tao Yuanming (died AD 427) who enjoyed chrysanthemums at the eastern fence in his garden. The scroll illustrates Wang Guxiang’s mastery of free brushwork, combining light monochrome ink with transparent colors. In his inscription, Wang says he used the “boneless” style without outlines as developed during the Yuan dynasty (1279–1368). Wang was a native of Changzhou, a city in southeast China known for its rich flora and fauna, and flower-and-bird painting tradition.

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  • Title: Flowers of Four Seasons, with Poems
  • Creator: Wang Guxiang (Chinese, 1501-1568)
  • Date Created: 1531
  • Physical Dimensions: Painting only: 24 x 545 cm (9 7/16 x 214 9/16 in.); Overall: 24 x 547.5 cm (9 7/16 x 215 9/16 in.)
  • Provenance: Ch'eng Ch'i, The Cleveland Museum of Art, Cleveland, OH
  • Type: Painting
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1977.4
  • Medium: handscroll, ink and light color on silk
  • Original Title: 四時花卉
  • Inscriptions: Artist's inscription, signature, and 15 sealrs. Ink Orchids. Sewn as pendants for the man of worth, swaying quiety, fragrance in the valley. [seal] Hsiao-chu ts'un Peony. Wiping his face, the young gentleman Ho [Ho Yen of Wei, Three Kingdoms] appears to have been powdered. His previous life was the perfume-stealing Han Shou [of Chin, 265-419], the fragrance still lingers. [seal] Ts'un-wu chai. Flowering Crab Apple, New Bamboo. Shao-lin [Tu Fu, 712-770] had to put down his brush. [Flowering Crab Apple]. Yü-k'o [Wen T'ung, d. 1079) in vain wrote poems about [Bamboo]. [seal] Yu-shih. Lotus Flowers. When she turns her head, half-hidden by a fan, and casts a glance, all the beautiful women become colorless. [seal] K'ang yüeh huai. Loquat. Ripeness in summer. [seal] Lu-chih. Pomegranate Flower. Whenever I remember you I will send my thoughts, but where have you gone--the [skirt] of pomegranate red? [seal] Wu-ho Sheng. Day Lily. Plant the day lily to forget sorrow. [seal] Yu-shih. Chrysanthemum. The untrammelled joy at the eastern fence. [seal] Lu-chih. Begonia. Comparing it to the beauties of Spring, and spreading them out as trimming for the stone steps. [seal] Yu-shih. Hibiscus. In recent years I have always enjoyed looking at flowers; instead of dark red I preferred pink ones. [seal] Jen-sheng i-lou. Narcissus, Camellia. The jade girdle left behind at Lo River. [Narcissus]. The precious pearls glitter before Spring. [Camellia]. [seal] Lu-chih. Heavenly Bamboo (Nandina domestica). A single branch in the wintry season. [seal] K'ang yüeh huai. Plum. Fragrant snow in the Lo-fou Mountains. [seal] Ts'un-wu chai. In the eleventh lunar month of the hsin-mao year of the Chia-ching era [1531], [I] imitated the boneless style of Yüan masters in sketching from life. Ku-hsiang [seals] Yu-shih; Lu-chih. trans. WKH/LYSL 2 colophons and 23 additional seals: 1 colophon dated 1632, and 2 seals of Li Jih-hua (1565-1635); 1 colophon and 2 seals of Hsiang Sheng-mo (1597-1658); 3 seals of Liang Ch'ing-piao (1620-1691); 6 seals of the Chia-ch'ing emperor (r. 1796-1820); 9 seals of Ch'eng Ch'i (20th c.)
  • Department: Chinese Art
  • Culture: China, Ming dynasty (1368–1644)
  • Credit Line: John L. Severance Fund
  • Collection: ASIAN - Handscroll
  • Accession Number: 1977.4
The Cleveland Museum of Art

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