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Footed Salver

1747

Dallas Museum of Art

Dallas Museum of Art
Dallas, United States

John Le Sage was one of 18th-century England's finest silversmiths. Le Sage was apprenticed to Lewis Cuney in 1708 and became a free journeyman in 1718. Made late in his career, this salver reflects the fineness of much of Le Sage's work. It is in the new rococo taste that was popular at mid-century. Derived from Italian 17th-century decoration, the style matured in France during the 1730s and was brought to England by Huguenot silversmiths who were forced to flee France following the revocation of the Edict of Nantes in 185, which had allowed the practice of Protestantism. Le Sage was of Huguenot descent.

Although the cast borders and paw feet are very fine, this salver is most noteworthy for its engraved decoration. Surrounding a coat or arms, likely that of the Farquharson family, are implements of war including cannon, bayonets, flags, drums, pikes, guns, powder kegs, and cannonballs. The crenellated tower and the monogram of King George II suggest that this tray was presented for distinguished service in battle, but no concrete evidence has yet been found to support this theory.

"Decorative Arts Highlights from the Wendy and Emery Reves Collection," page 22

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Dallas Museum of Art

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