Corot based this painting on sketches made in the Forest of Fontainebleau, just south of Paris, where he had worked since the 1820s. The artist reworked his sketches into a carefully structured composition, with the horizontals of foreground and background balanced by the verticals of trees, and the cows positioned to mark recession into space. Nevertheless, the acceptance of this work for the Salon of 1846 was a landmark event in the history of French landscape painting, for it depicts an ordinary, easily recognized local site without the "justification" of a noble human subject.