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Fragment of a garland carried by a male figure

approx. 150-250

Asian Art Museum

Asian Art Museum
San Francisco, United States

Connections with the Worlds of Greece and Rome
These sculptures and others in this gallery may call to mind Greek and Roman art. How did such sculptures come to be made so far from Greece and Rome?
Alexander the Great conquered the Persian empire in 330 bce, and continued to march eastward toward India. Though he turned back before moving into India, his generals established Greek-ruled colonies in neighboring areas (in what are now Pakistan and Afghanistan).
Though the Greeks soon lost power, these areas continued to have some cultural links with the Greco-Roman world for more than five hundred years. For instance, the Greek language continued to be used for certain purposes, as can be seen from the Greek inscriptions on coins in the nearby case.
In the panel with five worshipers, the garments resemble Greco-Roman robes, and the column recalls Corinthian examples. Both the winged male figures and the centaur-sea serpents are also based on Greco-Roman models., Both of the reliefs [B62S30+ and B77S2] would have decorated Buddhist architectural monuments. The decorative motif of a garland carried on the shoulders of lively figures originated in the GrecoRoman world but became popular in several parts of ancient India. Here are examples made at about the same time, but some fifteen hundred miles apart in present-day Pakistan and southeastern India. Both areas had contact with the Greco-Roman world, and Roman coins and other evidence of trade are found all over southeastern India.

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  • Title: Fragment of a garland carried by a male figure
  • Date Created: approx. 150-250
  • Location Created: India; probably Gummididurru, Andhra Pradesh state
  • Physical Dimensions: H. 15 1/2 in x W. 17 1/4 in x D. 4 1/2 in, H. 39.4 cm x W. 43.8 cm x D. 11.4 cm
  • Rights: Public Domain
  • Medium: Limestone
  • Credit Line: Asian Art Museum, Museum purchase, B77S2
Asian Art Museum

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