Furling the foresail

Arthur Briscoe (1873-1943) was an etcher and painter of marine subjects. Educated at Shrewsbury School, he studied art at the Slade School under Fred Brown and at the Académie Julian in Paris and then spent his time sailing. Briscoe painted and wrote on yachting subjects including <em>Handbook on Sailing</em> under the pseudonym of Clove Hitch. Briscoe portrayed not just sailing vessels and the sea itself but, in particular, he delighted in portraying seafaring men at work.

Briscoe's original prints are now generally acknowledged as the finest marine etchings of the 20th century, as they display both the artist's intimate knowledge of the sea and his mastery of the etching needle. In particular, Briscoe conveyed the motion of the sea itself and the varied effects of light and shade with extraordinary economy of line. In 1926 Briscoe made a superb scale model of the <em>Cutty Sark</em>, a vessel which appears intermittently throughout his sketchbooks.

In this etching, high above the deck of a square rigged sailing ship, three small figures of seamen work at furling a large foresail. The viewpoint and composition are both unusual; the contrast between the taut and curving sale ropes, the small zone of a choppy sea and the minimalist sky, make for an unusual, highly convincing maritime composition.

See: http://www.campbell-fine-art.com/artists.php?id=128

Dr Mark Stocker   Curator, Historical International Art   March 2018