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George III cake basket

Hester Bateman1788/1788

National Museum of Women in the Arts

National Museum of Women in the Arts
Washington, D.C., United States

Hester Bateman inherited her workshop after her husband’s death in 1760, and it was only then that the business began to flourish. The Bateman workshop produced domestic items—coffee pots, tea urns, cruets, teapots, salvers, goblets, salts, sugar tongs and flatware—integrating modern technology with classical design to attract a burgeoning middle-class market.

Bateman’s silver incorporated cost-conscious processes, such as relying on easily worked sheet silver. She also focused on simple yet elegant decorations—typically a thin, precise line of beading or sometimes a light design of bright-cut engraving to highlight the play of light over the surface of the silver.

This cake basket, with graceful, delicate lines and thin silver sheeting, displays many of Bateman’s signature characteristics. Its wide border shows neoclassical scrolling, cutting techniques, and ornamentation that exemplify Bateman’s style.

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  • Title: George III cake basket
  • Creator: Hester Bateman
  • Creator Lifespan: 1709/1794
  • Creator Gender: Female
  • Creator Death Place: London, England
  • Creator Birth Place: London, England
  • Date: 1788/1788
  • artist profile: Hester Bateman demonstrated entrepreneurial genius by creating elegant, simple silver works for a newly affluent English middle class. Bateman grew up in a poor family, with no formal education, and married John Bateman, a goldsmith and chainmaker of similar status, in 1730. She inherited her husband’s silver workshop after his death in 1760. Her sons received silversmith apprenticeships, and her daughter-in-law Ann Bateman was also a successful silversmith. With the help of her family and apprentice John Linney, Bateman registered her mark at the London Goldsmith’s Hall in 1761. Such marks were used by smiths to “sign” their pieces and are often found stamped alongside marks identifying the date and location of the work’s production. Bateman’s workshop produced thousands of pieces prior to her 1790 retirement. Her descendants helped the workshop continue to thrive through the mid-19th century. The key to Bateman’s success was the integration of modern technology with classical design, which attracted a solid middle-class market.
  • Style: Neoclassicism
  • Physical Dimensions: w16.25 x h6 x d11.875 in
  • Type: Silverwork
  • Rights: Silver collection assembled by Nancy Valentine, purchased with funds donated by Mr. and Mrs. Oliver R. Grace and family; Photography by Lee Stalsworth
  • External Link: National Museum of Women in the Arts
  • Medium: Silver
  • National Museum of Women in the Arts’ Exhibitions: “Women Silversmiths from the NMWA Collection,” 2012–13; “Preserving the Past, Securing the Future: Donations of Art, 1987-1997,” 1997–98
National Museum of Women in the Arts

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