The work represents Ghismunda crying over the heart of her lover Guiscardo, who went to her father who had him murdered (novella before the fourth day of The 'Decameron' by Giovanni Boccaccio). These images, yes a ingenuit? together archaic, infantile and popular, with unstable spatiality, traced with a drooling and misshapen sign, are typical expression, through the sensitive references to the chagallian lesson, of the traditionalist and populist Will of much of the contemporary art of the countries of Eastern Europe.