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Gothic bookbinding with goldsmith’s furnishings photo 1

Anonymous bookbinder

Nicolaus Copernicus University in Toruń

Nicolaus Copernicus University in Toruń
Toruń, Poland

Gothic bookbinding, 1. anonymous bookbinder, northern Germany, late 15th c. 2. anonymous bookbinder, Königsberg, before 1547. Bound: manuscript –Psalter, ca. 1480. University Library in Toruń, sign. Rps 84/I.
A representative example of a small-format prayer codex in a binding that was later given the features of a luxury item. The original leather covering with dietooled decoration was later covered with expensive black velvet and equipped with goldsmith’s furnishings in the intricate form of convex swirling openwork rosettes. The fastenings have an exceptionally original form of three-dimensional heads of angels or putti, in particular hooks that are de facto miniature locks with a key that unlocks the strap hook. Together with the Negroid, three-dimensional heads on the lower cover, which served as anchors for the hook straps, these elements already bear features of Renaissance products. This indicates that the volume could have been rebound after 1526, as this is the date of the wedding of Prince Albert of Hohenzollern to Dorothea, the daughter of the King of Denmark and Norway.

View of the whole upper cover board

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  • Title: Gothic bookbinding with goldsmith’s furnishings photo 1
  • Creator: Anonymous bookbinder
  • Date Created: before 1547
  • Physical Dimensions: 16,3 × 12,7 × 5,4 cm
  • Subject Keywords: gothic bookbinding
  • Type: bookbinding
  • Publisher: University Library in Toruń
  • Rights: public domain
  • Medium: after conservation; 1. oak boards, brown leather (partly reconstructed), sheepskin; 2. binding with an overcover (chemise) or a girdle book, black velvet (preserved fragmentarily and attached to the conservation documentation); text block sewn using three double leather bands; parchment pastedowns, label with ref. no on the spine 1859 and H or K; 1. on the original binding: traces of two larger, probably rhomboidal, central furnishings and one (or more?) furnishings with an image of St. Andrew – see below, (the original corner pieces or corner bosses were most probably replaced with goldsmith’s bosses); 2. two fastenings made of gilded silver, copper and leather (reconstructed hooks and leather straps); catch plates in the shape of a stylized head of an angel or putto with an open mouth serving as a hole for a key opening a simple lock, in the top of the head: a hole for the hook; hook straps are caught in hinged hasps connected on the lower cover with stylised heads with Negroid features and a curly hairstyle; on both covers: four convex ring-shaped openwork gilt-silver bosses and a stylised swirling rosette; in the centre of the upper cover: a ring-shaped centrepiece with an image of St. Andrew (according to a source from 1891, not preserved); decoration: blind tooled with a creaser and dies; frame composition with a centrepiece with motifs of the Lamb of God, Madonna and Child, a rosette and a lily; on the inner frame: an arbor vitae motif, on the outer: scattered lily motifs
Nicolaus Copernicus University in Toruń

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