The Hannya character is a prominent figure in Japanese Noh theater and traditional art, symbolizing intense emotions of jealousy, rage, and sorrow. Represented by the iconic Hannya mask, this character often portrays a woman transformed into a vengeful demon due to overwhelming feelings of betrayal or unrequited love. The mask, with its sharp horns, glaring eyes, and menacing grin, is a masterful blend of terror and sorrow, reflecting the duality of the Hannya’s emotions. Despite its demonic appearance, the Hannya is not purely evil; it is a tragic figure, embodying the human struggle with intense emotions and the consequences of succumbing to them. This nuanced representation makes the Hannya an enduring symbol in Japanese folklore and performing arts.
Terai Ichiyu likens mask-making to “time travel,” as he feels the energy of the mask he is working on and a deep connection to the generations of mask-makers who have crafted the same designs before him. Mr. Terai has created masks for Osaka’s Dai Nembutsuji Temple, replacing 10 to 25 masks for the Bosatsu Temple festival. The original masks, dating back to the Edo period, were deemed too small for modern performers, as people from that era were generally smaller in stature. Using cypress wood that has been carefully cut and dried for many years, Terai relies on all-natural paints to complete his creations. To maintain a steady income, he teaches Noh mask-making at an arts center in Osaka. Most of his students are retirees with advanced carving and painting skills, eager to learn this traditional art form.
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