Henrietta Lacks (1920–1951), who was from Roanoke, Virginia, died of cervical cancer at age thirty-one. Upon her death, doctors discovered that cells from her body lived long lives and reproduced indefinitely in petri dishes. These “immortal” HeLa cells have since contributed to over 10,000 medical patents relating to polio, AIDS, Parkinson’s disease, and other conditions. Considering the history of medical testing on African Americans without their consent, the fate of Lacks’s cells raises questions about ethics, privacy, and race. By addressing these issues forthrightly in The Immortal Life of Henrietta Lacks (2010), author Rebecca Skloot prompted Oprah Winfrey and HBO to make a film on the subject. Award-winning artist, author, and illustrator Kadir Nelson uses visual elements to convey Lacks’s legacy. The wallpaper features the “Flower of Life,” a symbol of immortality. The pattern of her dress recalls cellular structures, and the garment’s missing buttons signal the absence of those cells that were taken from her body, without permission.