19 grass balls piled up on an iron bar.
Carlos Arias works painting and embroidery, lives in Mexico since 1988 and since 1998 is professor at UDLAP.
At his artisitc practice, Arias sometimes honors other artists who may o may not be contemporaries to him.
This sculpture alludes to Constantin Brancusi (1876-1957) an european artist from the first half of 20th century, by recalling Brancusi's monument called the "Endless column" from 1938.