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Hunterwali ki Beti (Daughter of Hunterwali) Indian Cinema Poster

Prabhat offset press, Delhi for Basant Pctures in Bombay, India1943

Powerhouse Museum

Powerhouse Museum
Sydney, Australia

This poster, 'Hunterwali ki Beti' (Daughter of Hunterwali) made in 1943, was the first 'Fearless Nadia' film made following both Homi Wadia and Nadia's departure from Wadia Movietone. This film relaunched the 'Fearless Nadia' series and Nadia's career. Its success ensured future 'Fearless Nadia' films closely adhered to the low budget comedic high action formula. Poster design similarly used standard imagery that was easily recognisable by their diverse multilingual audience. Australian born Mary Evans, more famously known as Fearless Nadia, while not the first Indian film heroine, nor even the first white woman to appear in Indian motion pictures, was the first to successfully challenge traditional female roles in Indian movies through her energetic stunt films. As a result she was the most well known and successful female film star in India through the 1930s-1940s and assisted in making Wadia Movietone the most successful Bombay film studio by the end of the 1930s. Her clarion call of 'Heyyyyyyyyyyyyy' is to this day instantly recognised by generations of Indian film goers. Nadia's image is a complicated and multilayered construct combining elements of the Hollywood stunt queen Pearl White, (and by implication the whole stunt genre), the white memsaab, the legendary Indian warrior woman (virangana) and the modern urban sophisticated woman from Bombay (Bombaiwali). This persona allowed Nadia to wear both western style masculine clothing and Indian saris, be erotically charged and yet sexless, display her physical prowess and fighting skills and be a force for moral order, fighting the bad guys in a thinly veiled allusion to the nationalist movement. She was equally at ease in urban and rural environments and was empowered not crushed by the technological progress of a modern India. It was these elements which allowed her to be accepted as an Indian heroine by her audience. This poster collection also represents an increasingly rare tradition of non digital poster design and production which has all but died out in India.

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  • Title: Hunterwali ki Beti (Daughter of Hunterwali) Indian Cinema Poster
  • Creator: Prabhat offset press, Delhi for Basant Pctures in Bombay, India
  • Date Created: 1943
  • Provenance: Gift of Lauire Benson, 2012
Powerhouse Museum

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