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Beach at Beverly

John Frederick Kensettc. 1869/1872

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

Unlike some of his contemporaries, John Frederick Kensett felt no need to travel to the tropics or the American West to find compelling subjects to paint. Instead, he continually revisited several familiar locales in New York and New England where he could explore the ways in which the same motif was altered by subtle differences in light and atmosphere.


Between 1859 and 1872, Kensett produced over thirty paintings of the North Shore of Massachusetts—then a popular vacation spot for Bostonians. More than twenty works were scenes of Beverly, a coastal town twenty-five miles north of Boston. In each of these works, the dominating compositional element is a large rock formation topped by bushes and small trees at the left. A few figures engaged in various activities usually appear in the foregrounds and the right sides of the scenes are filled by an open area of water.


_Beach at Beverly_ focuses on a rocky projection between Curtis Point and Mingo Beach on the Beverly shore. The artist's choice of an elevated viewpoint serves to lower the horizon and increase the feeling of vast space. An area of dark clouds located over the sand-colored cliff closes the left side of the painting more completely, thus providing a counterpoint to the seemingly infinite sweep of sky and sea at the right. Kensett thus presents a work in which the immediate and the imminent— the figure walking on the beach, the boats sailing on the water, and the clouds approaching from the right —blend with timeless and the permanent—the rocks, water, and sky. It is this delicate balance, depending on a highly sophisticated manipulation of composition, lighting, and paint itself, that gives _Beach at Beverly_ an almost magical intensity and calm repose, ultimately distinguishing it as one of Kensett's most masterful achievements.


More information on this painting can be found in the Gallery publication _American Paintings of the Nineteenth Century, Part I_, pages 394-397, which is available as a free PDF at https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-19th-century-part-1.pdf

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  • Title: Beach at Beverly
  • Creator: John Frederick Kensett
  • Date Created: c. 1869/1872
  • Physical Dimensions: overall: 55.8 x 86.4 cm (21 15/16 x 34 in.) framed: 85.1 x 115.6 x 8.6 cm (33 1/2 x 45 1/2 x 3 3/8 in.)
  • Provenance: Possibly Jonathan Sturges [1802-1874], New York, and Fairfield, Connecticut;[1] his son, Frederick Sturges [d. 1917], New York, and Fairfield, Connecticut; his son, Frederick Sturges, Jr. [1876-1977], New York, and Fairfield, Connecticut;[2] bequest 1978 to NGA. [1] According to letter of 18 January 1966 from Frederick Sturges, Jr., and letters of 27 August and 7 December 1981 from Frederick Sturges III (in NGA curatorial files) family tradition held that paintings in the Sturges collection were originally purchased by Jonathan Sturges. In this instance and four others (Kensett, _Beacon Rock, Newport Harbor_ [1953.1.1]; Casilear, _View on Lake George_ [1978.6.1]; and Durand, _Forest in the Morning Light_ and _Pastoral Scene_ [1978.6.2 and 1978.6.3]) no certain evidence establishes ownership by Jonathan Sturges (see _The Bashful Cousin_ [1978.6.4] by Edmonds for more on Jonathan Sturges as a collector). No works by Kensett are mentioned in the discussions of the Jonathan Sturges collection in "Our Private Collections, No. II," _The Crayon_ 3, February 1856: 57 58; Thomas S. Cummings, _Historic Annals of the National Academy of Design (1825-1863)_, Philadelphia, 1865: 141 (reprint, New York, 1965); or Henry T. Tuckerman, _Book of the Artists_, New York, 1867: 627 (reprint, New York, 1967). [2] Frederick Sturges, Jr., died 14 October 1977 (letter of 27 January 1982 from Frederick Sturges III, in NGA curatorial files). _Beach at Beverly_ came to the National Gallery as a bequest with four other paintings.
  • Rights: CC0
  • Medium: oil on canvas
National Gallery of Art, Washington DC

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