Jan van Goyen was one of the great proponents of the innovative “tonal” style of Dutch landscape painting that celebrated local scenes and subjects in hues of brown, gray, and ochre. The tonal landscapes of the 1630s and 1640s ushered in the golden age of Dutch landscape painting, and Van Goyen’s body of work spans the beginnings of this style through its transition into more colorful and atmospheric depictions.
_Ice Scene near a Wooden Observation Tower_ illustrates an important transitional moment in Van Goyen’s career, as he moved away from the tonal style. Here he concentrates on weather and atmospheric effects, such as the swiftly moving clouds that convey the day’s cold breeze and the bright blue sky peeking from behind them.
This winter scene also provides a perfect opportunity for admiring Van Goyen’s technique as well as for enjoying the narrative presented. Couples skating, passengers riding a horse-drawn sled, and men setting out to ice fish indicate the range of activities enjoyed by the Dutchduring the severe winters in Western Europe in the 17th century, an era known in climate history as “The Little Ice Age.” Van Goyen’s range of techniques mirrors the range of activities, from the thickly painted clouds to the quickly brushed-in outlines of figures and boats.