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Ice Scene near a Wooden Observation Tower

Jan van Goyen1646

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

Jan van Goyen was one of the great proponents of the innovative “tonal” style of Dutch landscape painting that celebrated local scenes and subjects in hues of brown, gray, and ochre. The tonal landscapes of the 1630s and 1640s ushered in the golden age of Dutch landscape painting, and Van Goyen’s body of work spans the beginnings of this style through its transition into more colorful and atmospheric depictions.


_Ice Scene near a Wooden Observation Tower_ illustrates an important transitional moment in Van Goyen’s career, as he moved away from the tonal style. Here he concentrates on weather and atmospheric effects, such as the swiftly moving clouds that convey the day’s cold breeze and the bright blue sky peeking from behind them.


This winter scene also provides a perfect opportunity for admiring Van Goyen’s technique as well as for enjoying the narrative presented. Couples skating, passengers riding a horse-drawn sled, and men setting out to ice fish indicate the range of activities enjoyed by the Dutch during the severe winters in Western Europe in the 17th century, an era known in climate history as “The Little Ice Age.” Van Goyen’s range of techniques mirrors the range of activities, from the thickly painted clouds to the quickly brushed-in outlines of figures and boats.

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  • Title: Ice Scene near a Wooden Observation Tower
  • Creator: Jan van Goyen
  • Date Created: 1646
  • Physical Dimensions: overall: 36.5 × 34.3 cm (14 3/8 × 13 1/2 in.)
  • Provenance: Jacques-Phillippe Le Bas [1707-1783], Paris; (his estate sale, at his residence, Paris, 1-6 December 1783, no. 1);[1] Dulac. (Eugene Slatter Gallery, London), in 1949.[2] (Thomas Agnew & Sons, Ltd., London);[3] purchased 1976 by private collection, United States; (sale, Sotheby's, London, 30 January 2014, no. 37); (Richard Green [Fine Paintings], London); sold 30 May 2014 to NGA. [1] The painting sold for 340.3 livres; its description in the sale catalogue reads: "...ce Tableau d'une bonne couleur, est un des plus beaux de ce Maitre." [2] The painting was included in the 1949 summer exhibition at the Slatter Gallery. [3] On the reverse of the painting is an Agnew's label with number 39446 on it.
  • Medium: oil on panel
National Gallery of Art, Washington DC

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