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Icon: Ascension of Christ with the Hetoimasia

Andreas RitzosUndated

The National Museum of Western Art, Tokyo

The National Museum of Western Art, Tokyo
Tokyo, Japan

This icon is a typical example of the 15th-century Cretan-Venetian school that grew from the tradition of Byzantine court painting. This painting from the Matsukata Collection, along with the Death of the Virgin today in the Galleria Sabauda in Turin, is considered one of Ritzos' best large-scale icons. Very little inpainting has occurred in the centuries since its creation, and thus the work fully conveys Ritzos' considerable ability as a veteran icon painter.The painting shows the Ascension of Christ in the center with the "Hetoimasia," or empty throne that symbolizes God, above it. Ritzos has placed the Feast of Abraham at the top of the composition as the symbol of the Holy Trinity. Standing portraits of six saints are shown, three on the right (St. John the Baptist, St. Nicholas and St. Onuphrius) and three on the left (St. James the Greater, St. Anthony and St. Sebastian) of the central image. Half-length figures of Emperor Constantine, his mother Helen, St. Catherine, and St. Paraskeva appear in the lower section. The Greek signature that reads literally "by the hand of Andreas Ritzos" appears in the lower right, beneath the feet of St. Sebastian. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no. 1)

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  • Title: Icon: Ascension of Christ with the Hetoimasia
  • Creator Lifespan: c. 1422 - ?
  • Creator Nationality: Greek
  • Creator Gender: Male
  • Date Created: Undated
  • Signatures, Inscriptions, and Markings: Signed lower right
  • Provenance: Kojiro Matsukata; Horai-Shokusan & Co., Tokyo; deposited in the NMWA, Tokyo, 1960.
  • Physical Dimensions: w475 x h710 mm
  • Painter: Andreas Ritzos
  • Object title (Japanese): イコン:神の御座を伴うキリスト昇天
  • Object notes (Japanese): このイコンは、ビザンティン美術最後の華であるパレオゴロス朝絵画の様式と図像の伝統に倣って制作された、15世紀クレタ=ヴェネツィア派の典型的な作品の一つである。本作品はもと松方コレクションにあったもので、現在トリノの美術館にある《聖母の死》と並んで、アンドレアス・リゾスの大構図イコンの代表作である。後世の補筆は極めて少なく、老練なイコン画家としての堅実な力量をよく示す作例である。中央部には「キリストの昇天」、その上部にいわゆる「空の御座」の図像が表され、周囲の部分には上方に「聖三位一体」(「アブラハムの饗宴」)、左右に各々三人の聖者立像(洗礼者ヨハネ、聖ニコラウス、聖オヌフリウス、聖大ヤコブ、聖アウントニウス、聖セバスティアヌス)、下方に聖コンスタンティヌス大帝とその母聖ヘレナ、聖カタリナおよび聖パラアスケヴァの半身像が配されている。画面右下の聖セバスティアヌス像の足元に、ギリシャ語で「アンドレアス・リゾスの手による」と署名されている。(出典: 国立西洋美術館名作選. 東京, 国立西洋美術館, 2006. cat. no. 1)
  • Artist Name (Japanese): リッツォス、アンドレアス
  • Type: Paintings
  • Rights: Ex-Matsukata Collection, http://www.nmwa.go.jp/en/information/privacy.html
  • External Link: The National Museum of Western Art, Tokyo
  • Medium: Tempera on panel
The National Museum of Western Art, Tokyo

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