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Ignatius Sancho

Thomas Gainsborough1768

Smithsonian National Museum of African Art

Smithsonian National Museum of African Art
Washington, DC, United States

Thomas Gainsborough
Ignatius Sancho
1768
Oil on canvas
National Gallery of Canada, Ottawa

Writer. Actor. Composer. Businessman. Abolitionist. He was 18th-century Britain’s symbol of black possibility.

Ignatius Sancho
c. 1729–1780, b. on a slave ship en route from West Africa to South America
Worked in London

I am sorry to observe that the practice of your country (which as a resident I love) . . . has been uniformly wicked in the East and West-Indies—and even on the coast of Guinea. The grand object of English navigators—indeed of all Christian navigators—is money—money—money . . . In Africa . . . the Christians’ abominable traffic for slaves and the horrid cruelty and treachery of the petty Kings [are] encouraged by their Christian customers who carry them strong liquors to enflame their national madness—and powder—and bad fire-arms—to furnish them with the hellish means of killing and kidnapping.
—Ignatius Sancho, letter to Mr. Jack Wingrave, 1778

I am Sir an Affrican—with two ffs—if you please—& proud am I to be of a country that knows no politicians—nor lawyers—no—nor Thieves.
—Ignatius Sancho, letter, c. 1776–80

· Brought to England in childhood, Sancho learned to read; he devoured books.
· Sancho and his wife set up a shop in Westminster, giving him the right to vote in parliamentary elections. He was the first Black man to vote in Britain.
· His letters, published posthumously, were one of the earliest accounts of slavery in English. They became a rallying point in the growing abolitionist movement.

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Smithsonian National Museum of African Art

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