Sibylle Stoeckli acknowledges the proposition that human creativity
is one of our most precious attributes. She envisions a utopia that brings about a new dynamic in the relationship between the hand and the machine-made. The industrially embroidered buttonhole pattern stands for the endless possibilities which its “neutrality” suggests and also
a place where opposites can meet. The fabric becomes a tool for individual appropriation aimed at stimulating our ability to imagine
and create.