This work is part of the "Gramsci Trilogy", a series dedicated to the Italian intellectual Antonio Gramsci, imprisoned during the Fascist period. The cell-installation is a symbol of the condition of the intellectual in Italy today. It represents the void, the absence of culture capable of creating a “revolutionary” debate. Rendered infinite by the play of internal mirrors, the space suggests the imprisonment of contemporary artistic activities, its self-referentiality that excludes it from true contact with the people. The cell, which may be paced by the visitor, becomes a space for meditating. The mirrors enhance the sensation of reclusion and isolation of the visitor who perceives himself as a prisoner. In the reference to Gramsci, Jaar lays claim on behalf of thinking, art and culture to an active and socially responsible role in a real transformation of existence.