The title of this painting is taken from Jaipur, a city Kiefer visited during his numerous travels throughout India. The canvas portrays a nocturnal landscape: on the lower section the artist has painted an architectural structure that reminds the viewer of an inverted pyramid; above, a starry sky. The constellations visible in the sky, connected with lines, are numbered utilizing NASA’s classification system. From a thematic point of view, this artwork appears to be the one most closely connected with The Seven Heavenly Palaces: the pyramid becomes a symbol of man’s vain attempt to move closer to the divine.