Romeo Castellucci and Socìetas Raffaello Sanzio revisited Shakespeare’s Julius Caesar in Julius Caesar. Spare parts, a distilled reimagining of their landmark 1997 staging. On stage, figures inspired by Stanislavski, a silent Caesar, and a tracheotomized Mark Antony embody shifting facets of rhetoric, acting, and authority. By exposing the voice’s physical roots and unraveling the power of persuasion, the performance invited viewers to reconsider the fragile bonds between speech, meaning, and political influence.
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