One of the chief design directions that the Visvakarma commissions took was towards the creation of directories across textile techniques, which could serve as a reference for the future. This outstanding textile comprises around 640 patterns used in Kanchipuram handlooms, created through the mechanism of a dobby, which allows for simpler patterning than the complex jacquard. It was found relevant to have this textile woven in Kanchipuram because of the structure of silk weaving here which, when combined with the use of pure zari, could impart a certain softness in feel and drape despite the heavy use of metallic yarn.
The development of directories has been a lasting contribution of the Visvakarma series to Indian handcraft. The exhibit through its 504 squares presents patterns and motifs that are used interchangeably in the field of a sari, its borders and the decorative end piece (called Pallav). Kanchipuram which historically wove cotton textiles, moved to silks and brocade, for which it is internationally acclaimed now. The close proximity to cities trading in silk yarn (Bengaluru in this case) and the influence of Benaras.