Landing

A stylised three-dimensional form; a zoomorphic motif done in the original form of wood; by colouring certain surfaces a look of a bird is achieved, hence pronounced expressiveness. Colours: yellow, orange, blue and pastel green. With deep and surface incisions, the artist achieved the dynamics of closed and open, sharp and rounded forms, a dance of light and shadow. He coloured his figures with strong and bright tint and frequent interchanges of red and green, blue and yellow. The colour always followed the development of volume, whether related to gorgeous branching or delicately stylized and calm forms. The combination of the sculptural and the pictorial bears witness of the artist's complexity and expressiveness with additional help of naturally "blooming" forms, and nearly fauvist, wild tint. Kalmar the sculptor is sometimes overmastered by Kalmar the painter! The mere procedure of embodiment of the artist’s idea is an indispensable ritual where the artist and wood intertwine, surrender, snatch and combine (N. Krstić).