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Landscape with Nymphs

Jan Dirksz BothUndated

The National Museum of Western Art, Tokyo

The National Museum of Western Art, Tokyo
Tokyo, Japan

Jan Both was a representative Dutch Italianate painter. Since the realist theory of painting had expanded unilaterally during this period, there is the mistaken view that only Dutch-type landscapes existed in 17th century Dutch painting. In fact, the Italianate style landscape was extremely popular in Holland at that time, and records reveal that such paintings were quite expensive. Reflecting this state of affairs, there is an Italianate mood in the landscape shown here. While a small work, this painting ably reveals Both's characteristic methods. The careful brush work and expression of the densely clumped trees and plants suggest a relatively early production date (1640s), while the bright sky that expands across the upper right of the composition gives the painting a particularly lyrical mood. This lyricism is further heightened by the presence of nude nymphs in the foreground. These nymphs probably are related to some subject, but given that there are no specific clues present, it is hard to assign a particular subject to the work. Subjects that would involve the presence of several nymphs scattered in a landscape include the tales of Diana and Callisto, but while the nymphs here recall such tales, it seems that the work is mainly an experiment in freer landscape depiction. This painting, with its gentle sunlight, mythological subject and lyrical landscape setting all work together to form a landscape diametrically opposed to the reality of Holland at the time. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no. 40)

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  • Title: Landscape with Nymphs
  • Creator Lifespan: c. 1618 - 1652
  • Creator Nationality: Dutch
  • Creator Gender: Male
  • Creator Death Place: Utrecht
  • Creator Birth Place: Utrecht
  • Date Created: Undated
  • Location Created: Holland
  • Signatures, Inscriptions, and Markings: Signed lower right: JBoth
  • Provenance: Auc. Sotheby's London, 9 March, 1983, no. 70; Richard L. Feigen, New York.
  • Physical Dimensions: w600 x h490 mm
  • Painter: Jan Both
  • Object title (Japanese): ニンフのいる風景
  • Object notes (Japanese): ヤン・ボトは親イタリア派を代表するオランダの画家であり、この作品の風景にも例外的な雰囲気が窺われる。写実主義理論が一方的に拡大され、ともすると17世紀のオランダ絵画にはオランダ的風景しか存在しなかったかのような誤解が生まれた。しかし、実は当時のオランダではイタリア的風景画が非常に人気を博し、また、価格も高かったことが記録から知られている。こうした状況を反映し、本作品に描かれた風景にも、イタリア的な雰囲気がみなぎっている。小品ながら、本作品はボトの特質をよく示す作品である。入念な筆運び、密集した樹木や植物の表現は比較的早い制作年代(1640年代)を示唆し、また、右上部に広がる明るい空はどこか牧歌的な雰囲気を画面に与えている。こうした牧歌性は手前にたむろする裸のニンフたちによって一層強試されている。ここに描かれるニンフたちがなんらかの主題に関わるものであることを否定することはできないが、明確な根拠をもって特定の主題との関わりを指摘することは難しい。風景の中に多数のニンフを配する主題として当時好まれたディアナとカリストの物語があるが、このような物語に発想を受けながら、より自由な風景描写を試みた作品と考えるのが妥当なところであろう。柔らかく暖かな陽光、神話的主題、牧歌的風景など現実のオランダとは対照的な風景が描出されている。(出典: 国立西洋美術館名作選. 東京, 国立西洋美術館, 2006. cat. no. 40)
  • Artist Name (Japanese): プーレンブルフ、コルネリス・ファン
  • Type: Paintings
  • Rights: http://www.nmwa.go.jp/en/information/privacy.html
  • External Link: The National Museum of Western Art, Tokyo
  • Medium: Oil on canvas
The National Museum of Western Art, Tokyo

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