Landscape with the Flight into Egypt

A spring-fed watering trough nestled among ancient ruins high in a mountainous pass has enticed a plethora of people and animals to its refreshing water. As cattle drink and sheep rest in the surrounding glade, the area buzzes with so much activity that it is easy to overlook the insignificant-looking group of travelers passing under an archway in the background. Small in scale and depicted in subdued colors, the figures seem the least important of all those present, yet they are none other than the Holy Family on the Flight into Egypt. The three shepherds near the watering trough have doffed their caps because the mysterious light shining down on them has made them realize that they are in the presence of the Christ Child.

Savery painted this scene during an extremely productive and successful period following his move to Utrecht in 1619. The exotic character of his mountainous landscapes reflects his travels in the Alps and in Bohemia during his residence at the court of Rudolph II in Prague between 1604 and 1614, but his paintings are essentially creations of his imagination. During the 1620s Savery received major commissions from the city of Utrecht, and his paintings were collected in courts throughout Europe. Although his work at this time could no longer be called innovative, his superb skills were highly valued and enabled Savery to continue to paint in his mannerist style long after artistic trends in other centers had begun to focus on more naturalistic images of the Dutch countryside.