Laneham

Frederick (commonly F.L.) Griggs(1876-1938), was a distinguished English etcher, architectural draughtsman, illustrator and early conservationist, associated with the late flowering of the Arts and Crafts movement in the Cotswolds. He was one of the first etchers to be elected to full membership of the Royal Academy.

Born in Hitchin, Hertfordshire, he worked as an illustrator for the Highways and Byways series of regional guides for the publishers, Macmillans. In 1903 he settled at Dover's House, in the market town of Chipping Campden in the Cotswolds, and went on to create one of the last significant Arts and Crafts houses at 'New Dover's House'. There he set up the Dover's House Press, where he printed late proofs of the etchings of Samuel Palmer, amongst others. He collaborated with Ernest Gimson and the Sapperton group of craftsmen in architectural and design work in the area.

'Fred' Griggs converted to Catholicism in 1912, and set about producing an incomparable body of etchings, 57 meticulous plates in a Romantic tradition, evoking an idealised medieval England of pastoral landscapes and architectural fantasies of ruined abbeys and buildings. His best known etchings include <em>Owlpen Manor</em> dedicated to his friend and near neighbour, the architect-craftsman Norman Jewson, <em>Anglia Perdita</em>, <em>Maur's Farm</em>, <em>St Botolph's, Boston</em> and <em>The Almonry</em> (the last two are in Te Papa's collection). Collections of his etched work are held in major public collections worldwide.

Griggs was one of the finest and most respected etchers of his time. He was an influential leader of the British etching revival in the Twenties and Thirties, and "the most important etcher who followed in the Samuel Palmer tradition" (K.M. Guichard, British Etchers, 1977). He occupies a pole position in the Romantic tradition of British art: he links the world of Blake, Turner and Samuel Palmer to a younger generation of neo-Romantic artists, including Graham Sutherland, John Piper and Robin Tanner.

In this etching, Grigg depicts a detail of St Peter's Church, Laneham, located in a small Nottinghamshire village, and obviously took pleasure in its pictureseque irregularity - different parts of the church were built between the 12th and 15th century. Griggs abruptly contrasts between generous windows and buttresses, and the blank wall, while the churchyard looks unkempt. The tumbledown porch, sheltering what appears to be a widow, was late renovated, probably to Griggs's conservative disgust, in more 'swept-up' gothic in 1932.

Wikipedia, 'F.L. Griggs', https://en.wikipedia.org/wiki/F._L._Griggs

Dr Mark Stocker    Curator, Historical International Art    April 2018