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Layla and Majnun in the wilderness with animals, from a Khamsa (Quintet) of Amir Khusrau Dihlavi

Sanwalah (Indian, active c. 1580–1600)c. 1590–1600

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Nestled in the multicolored rocks are the reunited lovers Layla and Majnun, forced by society to remain separated for years. Majnun’s name means “madman,” since the separation drove him past the brink of sanity. Exiling himself to the wilderness, he became emaciated. When Layla found him after a prophetic dream, the wild animals gathered around, drawn to the purity and depth of their love. This painting illustrates a version of the story as told by an Indian author who wrote in Persian. He altered the ending given by previous Persian authors to the ancient Bedouin tale that originated among nomadic tribes of the Arabian Peninsula, in which Layla dies before the couple can be physically reunited.

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  • Title: Layla and Majnun in the wilderness with animals, from a Khamsa (Quintet) of Amir Khusrau Dihlavi
  • Creator: Sanwalah (Indian, active c. 1580–1600)
  • Date Created: c. 1590–1600
  • Physical Dimensions: Page: 24.9 x 16.8 cm (9 13/16 x 6 5/8 in.); Painting: 18.6 x 16.2 cm (7 5/16 x 6 3/8 in.)
  • Type: Painting
  • Rights: CC0
  • External Link: https://clevelandart.org/art/2013.301
  • Medium: opaque watercolor, ink and gold on paper
  • Inscriptions: Calligraphy of Persian sayings from the aphoristic meditations of Khwaja Abd-Allah Ansari (Persian, 1006–1089) in top and bottom borders, in nasta‘liq script: What is “dervishness”? It is a little lump of fine purified soil with a sprinkling of a few drops of water: neither is the sole of the foot irritated by it, nor does the heel of the foot collect dust from it. The work of the lowly . . ., Persian inscription at top right, in nasta‘liq script: the meeting of Layla and Majnun, lover and beloved
  • Fun Fact: White paint, prone to flaking, chipped off her face, revealing the underdrawing.
  • Department: Indian and Southeast Asian Art
  • Culture: India, Mughal
  • Credit Line: Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection
  • Collection: Indian Art - Mughal
  • Accession Number: 2013.301
The Cleveland Museum of Art

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