The Universal Energy series after 2000
The Universal Energy series created during the Punto International Art Movement is an important series by Hsiao Chin. In many of his artist’s statement made in or after 2000, Hsiao Chin has repeatedly emphasized the inspirational impact of the “grand energy of the universe” on his art practice. It should be noted, however, that the “grand energy of the universe” refers to not only the internal energies of the galaxies and planets. Hsiao Chin places even greater emphasis on the harmonious relationship between human lives and the universe, as well as the profound spiritual power that enables the persistence and coexistence of all lives, objects, cultures and religions with or without a tangible form. Hsiao Chin’s works of this period often employ mature yet diverse vocabulary of forms as well as rich, strong cold and warm colors to express the profound meaning of being as he delves into the deep human consciousness and to praise the sacred yet intangible energy that drives the gears of the entire universe.
During this period, Hsiao Chin started to work with glass mosaics and created works from two-dimensional to threedimensional. Hsiao left very few voids, and these highly saturated, monochrome, and colour-driven images take better advantage of the brightness and texture of the glass mosaics. The relief-like effects give the colour gradations and additional richness. The mosaics are resplendent yet contemplative, glittering like gems; they refine and elevate the spiritual qualities that the artist has infused into the works.