The installation invites the viewer to experience the world of the imagination of a young, Black, gay boy from rural North Carolina. The installation includes theater walls, found objects and photographs and a sound environment lifted from the pages of Little’s recent memoir/ art book, In the Sticks. These vignettes are tableaus that transport the viewer to a time and place from his past – through sight, sound, and found objects. They reveal some of the artist’s dreams, conflicts, and uncertainty he experienced as an imaginative and sensitive boy from Pactolus, North Carolina in the 60s and 70s during a time of radical change, when Little desperately dreamed to one day get out of the sticks.
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