Outside the National Gallery in London a fashionable tourist couple decides what to see next. The woman points her umbrella imperiously in the direction of Trafalgar Square while her oblivious companion consults a guidebook. Meanwhile, a young guide from Christ's Hospital School stands by, bored, his services unengaged. The painting seems a straightforward, rather humorous look at sightseers in London. But is there more going on here?
The woman breaks some important Victorian social rules. Her dress is too ostentatious for a day spent touring the city. Furthermore, her forthright gaze--apparently locking eyes with someone on the steps (or with the viewer of the painting)--is a breach of feminine propriety. A proper Victorian lady never made eye contact with strangers. The abandoned cigar on the steps provocatively suggests an unseen male presence.
French artist James Tissot moved to London in 1872. A keen observer of the fashion and manners of the newly wealthy British middle class, many of his paintings suggest narratives of social "mistakes," both innocent and deliberate.
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