Love. Left part of triptych “Life”

As a participator of many international and Ukrainian exhibitions of the 1920s–1930s, Krychevskyi was a favourite of the International Venetian Biennale of 1928, where he first showed the central panel of his highly praised triptych Life. The painting demonstrates a modern treatment of the refined surface-lineal rhythm and the harmony of similar colours, as well as features of medieval monumental wall painting.