The Maasai's are monotheist and believe in one God- the Engai. Engai is said to be neither male nor female, but one who has several aspects. The Maasai believe that Engai is creator of everything. As part of their reverence for nature as Engai’s creation, Maasai treated wild and domestic animals with respect. It is said that the Maasai did not hunt or eat wild animals, including the large herds of wildebeest and zebras that roamed their plains. Lions, however, were hunted by junior Maasai men for protection and prestige. Snakes were usually left alone. The Maasai believed that that certain prominent men returned as black pythons. Birds were never eaten, but certain species were killed so that their bodies and feathers could be used to create elaborate headdresses for newly circumcised boys.
Advithi Emmi is an Indian artist and art educator. For her art is a reflection of self and the society, it's an inexplicable journey that aids introspection. She believes in collaboration over competence, and have had several stints with different community-based projects and organizations, where she has contributed creatively to their growth while working hand-in-glove with the best in the field. In recent times, her work is mostly based on visual documentation of traditional knowledge and culture. As an art educator, she works towards sharing and instilling her experience with young minds.
In the third edition of the Wise Wall Project, we are collaborating with the culturally rich and one of the oldest communitys in the world, the Maasai community, in Arusha, Tanzania, in partnership with Vikram Solar Ltd., Vijana Inspiring Foundation, Lions Club of Dar es Salaam and Arusha City, and Google Arts and Culture. Along with building an on-ground community centre and museum for the community, we are bringing an exclusive insight into the life, lifestyle and learnings from this inspiring community.
The Wise Wall Project is an initiative of Project FUEL that aims to document, design and strengthen the wisdom of rural communities and marginalised villages using art and community outreach programmes. The arts lead the way to raise support for the challenges these villages face today like migration, quality education and access to basic amenities like water and roads.
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