Madonna della Vittoria

This image documents one of the last phases of the restoration of the ground floor. Here we can see that the ground floor is delimited by a wooden beamed ceiling that does not allow to view the single nave in its entirety. The decorations on the wall present various empty spots; they date to different periods, but the most important ones date to the last years of the 15th century. It is evident that these were the result of a direct influence of Andrea Mantegna. On the left we can see two small chapels, connected to room that gives onto the ancient convent.