Martin Sharp

Martin Sharp AM (1942-2010) was a printmaker, painter, cartoonist, designer, songwriter and film-maker. Born in Sydney, Sharp was founding co-editor with Richard Neville and Richard Walsh of Oz magazine, contributing humorous and often lewd cartoons to the controversial journal. When he and Neville re-located Oz to London, Sharp continued as art director, producing psychedelic rock-star and 'legalise pot' posters that were sold through the magazine. For a time he lived with Eric Clapton, collaborating with him on song lyrics and designing album covers for his band, Cream. Returning to Australia in 1969 Sharp helped set up the 'Yellow House', an artists' space at Potts Point in Sydney which became a focus of the underground art scene of the 1960s. Sharp is well known for his poster designs for the Nimrod theatre in the 1970s, and for his obsessions with Tiny Tim, toys and Luna Park.

Born in Sydney, Garry Shead studied at the National Art School in 1961-2. With Martin Sharp, Jon Firth Smith and Ian van Wieringen he edited The Arty Wild Oat and published cartoons in the Oz, The Bulletin, The Sydney Morning Herald, and Honi Soit. He worked for several years as a scenic artist with the ABC before winning the Young Contemporaries Prize in 1967. His work is represented in the National Gallery, several state galleries and many public and private collections; he won the Archibald Prize in 1993 for his portrait of an old friend, Sydney publisher Tom Thompson.

An article by Greg Weight for Australian Artist magazine explains that 'in the late 1970s Martin Sharp was engaged as a designer and artist to oversee the restoration of Luna Park, including the commission to revamp the enormous laughing face at the entrance. This long commission had all the ingredients of Pop art: the nostalgic elements, huge sculptures, powerful images, wonderful paintings by Arthur Barton along with bright colours and lights. In 1978 Sharp and fellow artist/designer Richard Liney, also an avid collector of memorabilia loaned their combined collection of hundreds of fairground, circus, Luna Park and sideshow artifacts to the Art Gallery of NSW to coincide with the Festival of Sydney. In 1979 a tragic fire in the Luna Park Ghost Train claimed seven lives . . . Martin's work on the Luna Park Face was ruined, and the park's theme 'Just for Fun' lost its meaning. Martin firmly believes the fire was an act of terrorism

. . . Along with various other artist friends and sympathetic supporters, Martin was instrumental in forming the Friends of Luna Park in an endeavour to remind the people of Sydney and the State Government of what they stood to lose if the site were developed.'