Loading
Mary Walton Morris
John Wollaston1749/1752
National Gallery of Art, Washington DC
Washington, DC, United States
Details
- Title: Mary Walton Morris
- Creator: John Wollaston
- Date Created: 1749/1752
- Physical Dimensions: overall: 76.3 x 63.5 cm (30 1/16 x 25 in.) framed: 94 x 81.3 x 7 cm (37 x 32 x 2 3/4 in.)
- Provenance: Henry Manigault Morris [1817-1892], New York;[1] his widow, Georgia Edwards Morris [d. 1894], New York; her brother-in-law, Charles Manigault Morris [1820-1895], Baltimore; his widow, Clementina Morris, Baltimore; their son, Lewis Morris [b. 1867], Neponsit, New York;[2] (William Macbeth, New York); sold 27 May 1922 to (Art House, Inc., New York);[3] Thomas B. Clarke [1848-1931], New York;[4] his estate; sold as part of the Clarke collection on 29 January 1936, through (M. Knoedler & Co., New York), to The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1942 to NGA. [1] According to Robert Bolton, _A History of the Several Towns, Manors, and Patents of the County of Westchester from its first Settlement to the Present Time_, 2 vols., New York, 1881, 484, this portrait and that of NGA 1942.8.41 ( _A Gentleman of the Morris Family_) were inherited with other family portraits at "Morrisania," the Morris manor house in Westchester County, New York. Previous owners were identified as Lewis Morris [1752-1824] and his son Lewis Morris [1785-1863], father of Henry Manigault Morris. For the genealogy of this family see W. W. Spooner, "The Morris Family of Morrisania," _American Historical Magazine_ I, nos. 1-5 (1906), 136-142, 321-323, 427-428. [2] Lewis Morris provided the names of past owners to dealer William Macbeth in 1922 in letters and in a handwritten document; see the Correspondence Files, Macbeth Gallery Papers, AAA. A family tree with owners' names and dates was prepared by the Macbeth Gallery to clarify the provenance. [3] Stock disposition card, Macbeth Gallery Papers, AAA. Clarence Dearden, a partner in Art House, Inc., was the purchaser (letter from Macbeth Gallery to Clarke, 29 May 1922; correspondence files, Macbeth Gallery Papers, AAA). [4] The name of the seller and the date of purchase, 27 May 1922, are recorded in a copy of _Portraits by Early American Artists of the Seventeenth, Eighteenth and Nineteenth Centuries Collected by Thomas B. Clarke_, Exh. cat., Philadelphia Museum of Art, 1928, annotated with information from files of M. Knoedler & Co., NY (copy in NGA curatorial records and in NGA library). The date is the same as the purchase of the painting by Art House, Inc., showing that paintings acquired by the dealership often went immediately into Clarke's own collection.
- Rights: CC0
- Medium: oil on canvas
Get the app
Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more
