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María Teresa de Borbón y Vallabriga, later Condesa de Chinchón

Francisco Goya1783

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

Lively and clever, the Spanish king’s eldest niece was just four-and-a-half years old when she posed for this portrait. Her confident stance and white lace mantilla (Spanish headdress) give the impression of maturity. The low viewpoint makes her look taller, as do the mountains in the background of the palace terrace. María Teresa’s father chose to marry below his rank, so the family was exiled to Ávila, Spain. They often invited artists to live with them there. Goya likely painted this portrait while staying at theirhome in August and September 1783. This was the first of four portraits that Goya would paint of María Teresa, who would later champion Spanish independence from France.

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  • Title: María Teresa de Borbón y Vallabriga, later Condesa de Chinchón
  • Creator: Francisco Goya
  • Date Created: 1783
  • Physical Dimensions: overall: 134.5 x 117.5 cm (52 15/16 x 46 1/4 in.) framed: 154.3 x 136.8 x 5.7 cm (60 3/4 x 53 7/8 x 2 1/4 in.)
  • Provenance: Commissioned by the Infante Don Luis de Borbón [1727-1785], Palace of Arenas de San Pedro, near Avila; by inheritance to his daughter, the sitter [1779-1828], Palace at Boadilla del Monte, near Madrid;[1] by inheritance to her only child, Carlota Luisa de Godoy y Borbón [1800-1886], Condesa de Chinchón, Duquesa de Alcudia y de Sueca, Boadilla del Monte, in whose possession it was recorded in 1867 and 1886;[2] by inheritance to her son, Adolfo Ruspoli [1822-1914], Duque de Sueca, Conde de Chinchón;[3] possibly bought in or purchased by the family at his (liquidation sale, Paris, 7 February 1914);[4] his daughter, Maria Teresa Ruspoli y Alvarez de Toledo, wife of Henri-Melchior Cognet Chappuis, Comte de Maubou de la Roue, Paris;[5]; her nephew, Don Camilo Carlos Adolfo Ruspoli y Caro [1904-1975], Conde de Chinchón, Duque de Alcudia y de Sueca, Madrid, by 1951.[6] Sold by the family by March 1957 to (Wildenstein & Co., New York);[7] purchased 2 March 1959 by Ailsa Mellon Bruce, New York;[8] gift to NGA 1970. [1]Pierre Gassier, "Les portraits peints par Goya pour l'Infant Don Luis de Borbón à Arenas de San Pedro", _Revue de l'Art_ 43 (1979): 21, note 24. [2] Charles Yriarte, _Goya: sa biographie et le catalogue de l'oeuvre_ (Paris, 1867): 138; El Conde de la Viñaza, _Goya: su tiempo, su vida, sus obras_ (Madrid, 1887): 225, no. 29. See also Gassier 1979, 21, note 26. Biographical information on the Condesa and her descendants is given by _Almanach de Gotha_ (Leipzig, 1939): 614-615; Juan Moreno de Guerra y Alonso, _Guía de la grandeza_ (Madrid, 1917): 52; _World Nobility and Peerage_, vol. 87 (London, 1955): 158, 171; Domingo Araujo Affonso, Robert Cuny, Alberto de Mestas, Simon Konarski, and Hervé Pincteau, _Le sang de Louis XIV_, 2 vols. (Braga, 1961), 1:192; 2:492-497. [3] Recorded in his possession by Richard Oertel, _Francisco de Goya_ (Leipzig, 1907): 54 and Albert F. Calvert, _Goya: An Account of his Life and Peace_ (London, 1908): 60. Also noted in 29 November 1988 letter from Ay-Whang Hsia of Wildenstein & Co., New York, NGA curatorial files. [4] According to Cleveland Museum of Art records (_European Paintings of the 16th, 17th, and 18th Centuries_; Cleveland, 1982; p. 486) for Goya's _Portrait of the Infante Don Luis de Borbón_, which has the same provenance as the NGA portrait, Adolfo Ruspoli died in Paris on 4 February 1914, after which his estate was liquidated on 7 February 1914. Xavier Desparmet Fitz-Gerald, _L'oeuvre peint de Goya_ ,4 vols. (Paris, 1928-1950):2:13, no. 292 claims that this painting was in the liquidation sale. Perhaps it was bought in or purchased by the family at this time. [5] 29 November 1988 letter from Wildenstein's. [6] 29 November 1988 letter from Wildenstein's. [7] 29 November 1988 letter from Wildenstein's. [8] Purchase date from Wildenstein's is noted in the Ailsa Mellon Bruce notebook, NGA curatorial files.
  • Rights: CC0
  • Medium: oil on canvas
National Gallery of Art, Washington DC

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