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Media Burn

Ant Farm1975

San Francisco Museum of Modern Art (SFMOMA)

San Francisco Museum of Modern Art (SFMOMA)
San Francisco, United States

Ant Farm was founded in 1968 by Chip Lord and Doug Michels, who were soon joined by Curtis Schreier. The group created playful artworks that use built forms and performances to critique media culture and to propose new possibilities for society. Ant Farm presented the performance documented in Media Burn on July 4, 1975, at San Francisco's Cow Palace arena. It was a parody of television news programs and a spectacular, humorous, and critical commentary on the mass media's impact on American culture. The artists demonstrated this impact through the literal collision of two mega-icons: the automobile and the television. As the event opens, Doug Hall (of the performance collective T.R. Uthco), in the role of the JFK-like artist-president, lays the groundwork: "Now I ask you, my fellow Americans: Haven't you ever wanted to put your foot through your television screen?" Two Ant Farm members then proceed to drive the Phantom Dream Car (a modified 1959 Cadillac Eldorado) through a pyramid of burning TV sets. The event was heavily featured in the local news, and Media Burn opens and closes with excerpts from this coverage; the media's somewhat condescending tone ironically underlines the message of the piece.

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  • Title: Media Burn
  • Creator Lifespan: Established 1968
  • Creator Nationality: American
  • Date Created: 1975
  • Type: videotape
  • Rights: © Ant Farm
  • External Link: SFMOMA
  • Medium: single-channel video, color, with sound, 37 min.
  • collaborators: Ant Farm
  • Subject: San Francisco, United States
  • Place Part Of: United States
  • More Info: More About These Artists - SFMOMA
  • Credit Line: Accessions Committee Fund purchase
  • About the Artist: In 1968 Chip Lord and Doug Michels (joined later by Curtis Schreier) founded Ant Farm, a multidisciplinary collective involved with alternative architecture, performance, and video. Based in San Francisco (and later Houston), they embraced the youth counterculture of the time, which influenced their visionary desire to work collaboratively outside the traditional art realm. Idealistic, nonhierarchical, and culturally "underground," the collective took its name from a friend who commented that its members worked like an ant farm. Notable projects include the air-filled vinyl Inflatables (1969–72), performances such as Citizen's Time Capsule (1975), the Cadillac Ranch (1974) installation in Amarillo, Texas, and videos such as Media Burn (1975).
San Francisco Museum of Modern Art (SFMOMA)

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