Mississippi Boatman

George Caleb Bingham was one of America's first important painters to specialize in genre paintings, which depict scenes of everyday life. His early years were spent in Missouri, and he knew at first hand the life of the frontier, especially the comings and goings of the boatmen who ferried cargo on the great rivers of the Midwest. Bingham's paintings were intended for audiences in eastern cities such as New York and Philadelphia, and the boatmen he portrayed were already by the 1850s emblematic of the rough and tumble characters who were pushing American civilization ever farther westward. They were also considered disreputable characters who were fond of drunken carousing in the towns they passed while enroute downriver.

The men portrayed in Bingham's river pictures are usually young, but here we are presented with an older, scowling individual who looks out at us with undisguised ill humor. This solitary figure seems confrontational, even threatening, establishing a mood of unease that is unique in Bingham's work. Perhaps the nature of the narrative—an old man left to guard the cargo while his companions enjoy themselves in town—dictated he be depicted in this way. But Bingham, who was actively engaged in politics and who was staunchly antislavery, may have also intended the troubled visage of this boatman to be a mirror of the difficult times the nation was facing in the years leading to the Civil War.