These two works—the mobile and ray installation—respond to and search for each other without necessarily being seen together. These large, voluminous pieces do not in any way impede the exploration of this space, which has been closed for over twenty years. What was once a hospital will soon be a living, thriving place propitious to cultural development, with stores and crafts workshops. Veilhan’s work suggests a geometry, or rather various geometries, as in the constant swirl of the spheres on this mobile, which reconfigure to create unending compositions, always similar, but never the same.