"Back in Brazil, the artist produced several vertical prints with sinuous features and spontaneous contours. The spools no longer seem to explode and begin an ascending movement. Mirroring what was taking place in his paintings, they project upwards from the lower edges of the design. Large and majestic, these predominantly graphic prints privilege serpentine movement. The material density has been replaced by vigorous structure."
Mônica Zielinsky, Iberê Camargo: catálogo raisonné (São Paulo: Cosac Naify, 2006), 99.