Mrs. Mounter' is one of a series of images of Gilman's landlady in Maple Street that he painted between 1914 and 1917. This painting was probably painted around 1916/17. A smaller slightly earlier oil version without the chair is in the Tate, and pen and ink studies are in the Ashmolean Museum and the Walker Art Gallery.
During his career Gilman came increasingly to paint and draw the surrounding subjects that were important and dear to him. Mrs Mounter is not glamorised; he wanted to recreate specific real characters on canvas. This approach derived from his admiration not only of Van Gogh's directness in portraiture but also that of Cézanne and Gauguin. Therefore the same motifs of Mrs Mounter, the patterned wallpaper and crockery feature repeatedly in his later work.
Gilman developed a very individual style that had gone largely unnoticed when he died suddenly during the Spanish influenza epidemic of 1919. He sold very few works during his lifetime and it was not until the 1955 Arts Council exhibition of his work that he began to receive recognition for his short-lived but significant contribution to British modernism.