Dust Breeding

As its title suggests, Ergin Çavuşoğlu’s installation Dust Breeding makes reference to American photographer and painter Man Ray’s famous 1920 photograph Dust Breeding (Duchamp’s Large Glass with Dust Motes), which depicts the named artist’s iconic work in the studio having accumulated a year’s worth of environmental dirt. Çavuşoğlu’s reworking of this project also revolves around the documentation of ephemeral matter. The artist invites visitors to walk across a section of an anamorphic floor drawing based on a three-dimensional model of a cement factory in Turkey. Recording their actions with a closed-circuit television camera, he uses a monitor to relay the surreal-looking images, which seem to show visitors standing inside a sculpture.