Why would the artist choose such an odd vantage point? The lowness of the subject matter, apart from the hind view, is important in considering this print in context; it is an appropriate expression of the place: Naitō Shinjuku, near Yotsuya Gate, the western entrance to Edo. Founded in 1698, this quarter was intended from the start as a semiofficial center of prostitution and the first stop along Kōshū Highway out of Edo. The prostitutes at this down-to-earth settlement were described as "flowers blooming in the horse droppings of Yotsuya." Hiroshige pays close attention to the placement of the objects on the ground, from the straw-sandaled legs of the two horses and their groom to the five separate balls of manure.
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