Loading

Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma

Rocco Pozzi, Pietro Campana, Stefano Pozzi, Giambattista Nolli1748

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

The monumental <em>Pianta Grande di Roma, </em>or Large Plan of Rome, which measures about 5 x 7 feet when its twelve plates are assembled, is a landmark in both cartography and printmaking. The map is considered the first scientific rendering of Rome, establishing new standards of accuracy and thoroughness when it was published in 1748. Devised by the Lombard architect and surveyor Giovanni Battista Nolli (Italian, 1701-56), the creation of the map required over ten years of surveying the city carried out by Nolli and a team of assistants with the help of new measuring devices. In Nolli’s “ichnographic” (also called “ground”) plan, architectural features and the urban infrastructure are reduced to a single horizontal slice, a minutely detailed footprint that conveys dimensions, proportions, and orientations to scale with the utmost clarity.

Show lessRead more
Download this artwork (provided by The Cleveland Museum of Art).
Learn more about this artwork.
  • Title: Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma
  • Creator: Giovanni Battista Nolli (Italian, 1701-1756), Carlo Nolli (Italian, 1690-1790), Rocco Pozzi (Italian, 1701-1774), Pietro Campana de Soriano (Italian, 1725–c. 1779), Stefano Pozzi (Italian, 1699-1768)
  • Date Created: 1748
  • Physical Dimensions: Sheet: 43.8 x 69.2 cm (17 1/4 x 27 1/4 in.)
  • Provenance: Private Collection, Italy, In trade, Rome, Italy, (Piraneseum, Oakland, CA), The Cleveland Museum of Art, Cleveland, OH
  • Type: Print
  • Rights: CC0
  • External Link: https://clevelandart.org/art/2020.276.5
  • Medium: etching and engraving
  • Inscriptions: Written in pencil on verso: "[illegible]"
  • Fun Fact: To make this map, Pope Clement XII granted the mapmaker permission to measure courtyards and other interior, inaccessible spaces in monastic communities, even those in nuns’ convents, which was controversial at the time.
  • Department: Prints
  • Culture: Italy, 18th century
  • Credit Line: Gift of The Print Club of Cleveland
  • Collection: PR - Etching
  • Accession Number: 2020.276.5
The Cleveland Museum of Art

Get the app

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more

Home
Discover
Play
Nearby
Favorites