Object for Reflection (2017) consists of countless small pieces of perforated aluminum connected by rings of steel, which in contact with light act as pixels on a screen and create a subtle and constant vibration. While the back of the work offers a multiplicity of dark shades on the metallic surface, the front side acts as a highly refractive support. Object for Reflection thus stands as a large scale sculpture whose verticality—between textile and architectural—establishes a dialogue with the Guggenheim Museum Bilbao’s iconic spaces. At the same time, the work responds with intensity to the light conditions and the movement of spectators around it. To achieve this complexity of effects, Shotz creates the illusion of a solid volume and confronts it with the folds of a flexible material, thus producing an alloy of weight and weightlessness, rigidity and malleability, opacity and translucency. As the artist explained during the presentation of Object for Reflection at the Guggenheim Museum Bilbao, the piece takes as its starting point the monumentality of modernist sculpture in metal, but only to reformulate the latter’s traditional role and value. While its authoritative weight decreases, its complexity expands dramatically.
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