This mask was probably worn around the neck as a pendant and may have given the wearer a new identity, perhaps that of an ancestor or a god. It was made by the Olmecs, the earliest known settled civilisation of Central America.
The Olmecs lived in the low-lying Gulf Coast area of what is now Mexico in about 1200-400 BC at sites such as San Lorenzo, Tres Zapotes, Laguna de los Cerros and La Venta.
These and the other Olmec centres were well planned and included many of the features that would be associated with later civilisation in Central America including the Mexica (Aztecs) and Maya. Alongside impressive public spaces and large platform-mounds made of earth, there is evidence of a ceremonial ball game and complex astrological calendars.
Jaguars feature prominently in Olmec art, perhaps because, as predators, they became associated the strength and importance of ruling members of society.
The Olmecs worked mainly in stone and particularly favoured jade, or greenstone, which they believed had distinctive properties linked with fertility and procreation. These sought-after materials were brought into the region through long distance trade networks.
This head is made from a dark green stone called serpentinite and would have been worked by skilled craftspeople using hand tools. On either side of the mouth there are two Olmec glyphs (picture signs). Olmec glyphs are the earliest known writing in America. These fine-line motifs symbolically define the four quarters of the human world with the king as ruler at the centre.
The Olmec art style is found on objects as far afield as the Valley of Mexico to the north and the Pacific coast of Chiapas to the south. This suggests a widely-shared set of beliefs that was to have a profound influence on many later Mesoamerican stylistic traditions.