on banality - volume 1

Without pedestal, without noble materials, without protection in virtuous intentions or in the intellectual solemnity, Cabelo experiments the art like low dynamics, next to the prosaic and the spontaneous one. With a work that can both evoke secularized and delirious ritual forms, and join the marginal poetry of everyday life’s poetic experience, the artist sometimes defines himself as a seismograph of his time, an instrument to capture fragments of ideas, sounds and sentences around them, arranging them into small notes.