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Page of the Blaue Reiter Almanach

Wassily Kandinsky1912

Centre Pompidou

Centre Pompidou
Paris, France

The asset displays an open book, with two pages presented. The left page features a prominent monochrome print of a portrait by Oskar Kokoschka, titled "Bildnis" and depicting "Hellsis," which acts as the central focal point. The right page provides balance with a smaller, stylized black and white illustration, identified as "Bayerisches Spiegelbild" by W. Rosanow, accompanied by blocks of German text. The overarching color palette is monochromatic, consisting of blacks, whites, and varying shades of grey, typical of a printed artwork reproduction.The Kokoschka portrait utilizes strong light and shadow contrasts to sculpt the figure, with the subject's face and hands highlighted against darker drapery and a turbulent background. Lines are visibly expressive and dynamic, contributing to a sense of depth and emotional intensity, particularly in the rendering of contours and implied textures. The smaller illustration on the right employs more graphic, bold lines and shapes without extensive shading, creating a flatter, symbolic texture.

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  • Title: Page of the Blaue Reiter Almanach
  • Creator: Vassily Kandinsky
  • Date Created: 1912
  • Physical Dimensions: 33,9 x 22,7 cm
  • Provenance: Bequest Of Nina Kandinsky, 1981
  • Transcript:
    OSKAR KOKOSCHKA PORTRAIT BAVARIAN MIRROR IMAGE (From "Italian Impressions" by W. Rosanow, St. Petersburg, 1909, p. 81 ff.) The whole ancient art, in contrast to the new, is not psychological... But is ancient art not perhaps more metaphysical? The mass, the measurements of the human "corpus", the eternal search (and possibly finding?) for the definitive truth of this mass and its harmony, is what we find again and again in all these marble works. One would like to pronounce "Scheidemasse" as the last definition. Is it not apparently very little, very poor? But what did Moses say when he came from Mount Sinai, and what did he share with the children of Israel regarding the building of the Temple (Skynie)? He only mentioned mass and colors, and even almost only mass. And when reading this report in the "Exodus of the Children of Israel" one almost hears the tailor naming the numbers – the length, the width, the circumference and the curve – of the ordered garment. Skynie is the garment of God: that is their
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  • Type: Print
  • Rights: Centre Pompidou, MNAM-CCI/Georges Meguerditchian , Centre Pompidou, MNAM-CCI/Service de la documentation photographique du MNAM
  • Medium: Lithography
  • Art Genre: Portrait
  • Depicted Person: Oskar Kokoschka
  • Alt text: An open book displays two pages. The left page features a large monochrome portrait print by Oskar Kokoschka, showing a woman with a pensive expression holding a bird-like creature. The right page contains a smaller monochrome illustration titled 'Bayerisches Spiegelbild' and blocks of German text.
Centre Pompidou
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