Originally part of a longer scroll copied from a lost work by the Five Dynasties painter Zhou Wenju, this scroll is an important relic of Chinese court figure painting. Executed in the "baimiao" or outline mode with touches of color only in their red hair ribbons and lips, the women and children of these intimate scenes are brought vividly to life by the sensitive brushwork of the artist. Additional scrolls preserving the other sections of Zhou Wenju's composition are found in the Metropolitan Museum of Art, the Cleveland Museum of Art, and at Villa I Tatti, Florence. A colophon dated to 1140 and preserved with the Cleveland portion states that this copy of Zhou Wenju's scroll was made for the scholar and critic Zhang Cheng.
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