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Panel of Arabesques for the Hôtel de Salm, Paris

Jean Guillaume Moitte1785

Cooper Hewitt, Smithsonian Design Museum

Cooper Hewitt, Smithsonian Design Museum
New York, United States

Design for a wall panel. At the bottom, two satyrs sacrifice flowers at the foot of a burning candelabrum. The satyrs support, with their heads, two half female figures (half female and half flower stem). The figures hold a medallion with a maenad. A putto, supporting a vase, stands on top of the medallion. At the very to center of the composition are two billing doves and at the edges two putti. The putti hold festoons and garlands from which then flower baskets are suspended. The doves hold long garlands, which are then connected to two female figures (one at each side of the central composition). These female figures in turn stand on long decorative spears, which rest on the end tips of the half female figures.

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  • Title: Panel of Arabesques for the Hôtel de Salm, Paris
  • Creator: Jean-Guillaume Moitte
  • Creator Lifespan: 1746/1810
  • Date Created: 1785
  • Physical Dimensions: w101 x h430 cm
  • Type: Drawing
  • Rights: Purchased for the Museum by the Advisory Council
  • Medium: Pen and black ink, brush and gray, turquoise-blue and white gouache, traces of black chalk on toned paper, ruled border in pen and black ink, lined with paper with ruled border
  • Viewing Notes: This drawing as made for a commission for the Hôtel de Salm-Krybourg in Paris as Richard Campbell has pointed out. In 1784, the architect Pierre Rousseau (about 1750-1810) commissioned from Moitte three large arabesques for the salon for which Moitte was paid 360 livres. The panel can be identified in Rousseau's drawing of the salon now i the collection of the Palace of the Legion of Honor. (Crosscurrents, p.89)
  • Signed: Signed on the mount in pen and black ink at lower right: Moitte sculpteur 1785
  • Provenance: Leon Decloux
  • Paper Support: Toned laid paper, lined with paper with ruled border
  • Exhibitions: Crosscurrents: French and Italian Neoclassical drawings and prints from the Cooper-Hewitt Museum, the Smithsonian Institution's National Museum of Design, 1978The Cooper-Hewitt Collections: A Design Resource. New York, Cooper-Hewitt Museum, 1991-1992 (exhibited at third rotation: 11/04/1991 - 03/09/1992
  • Dimensions: 43 x 10.1 cm (16 15/16 x 4 in.)13.7 x 46.6 (mount)Mat: 55.9 x 40.6 cm (22 x 16 in.)
  • Bibliography: Crosscurrents: French and Italian Neoclassical Drawings and Prints Cooper-Hewitt Museum (Washington, D.C.: Smithsonian Institution Press, l978), no. 74Kleine Kunstgeschichte des Europaischen Ornaments seit den Fruhen nenzeit 1400-1900 Gunter Irmscher (Darmstadt, Wissenschaftliche Buchgess schaft, l984), T. 182
Cooper Hewitt, Smithsonian Design Museum

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