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Pendant Plaque with Image of Kannon (Avalokitesvara)

Kamakura period, dated 1275 (Kenji 1)

Tokyo National Museum

Tokyo National Museum
Tokyo, Japan

For this kakebotoke (a hanging-type disc with a Buddha image), a gilt bronze panel is pasted on a wooden board and a narrow band is put around the rim. There is a border line near the rim that divides the entire space into inner and outer sections. In the center of the inner section, a copper-cast, gold-plated Sho Kannon (holy Kannon) is seated on a lotus pedestal. Behind the image is a ship-shaped halo with arabesque openwork while above the head is a canopy in the shape of an eight-petal lotus with hanging decorations. A pair of vases is placed on each side of the Kannon image. Although a kakebotoke is a three-dimensional representation or development of a mirror image that was popular in the Heian period, the increased addition of accessories other than the image of a deity like this one is a characteristic of kakebotoke of the late Kamakura period to the Muromachi period. This one is an early example of such a style. The following inscription is written in sumi ink on the back of the panel:「奉懸 観世音菩薩御正体/右志者為現世安穏後世善処/寺中繁昌山内泰平乃至/法界衆生平等利益也/建治元年五月十五日/信心大法主僧祐慶/敬白」

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  • Title: Pendant Plaque with Image of Kannon (Avalokitesvara)
  • Date Created: Kamakura period, dated 1275 (Kenji 1)
  • Physical Dimensions: h455 mm
  • Object Title: 金銅聖観音懸仏
  • Object Notes(Japanese): 木板に金銅の鏡板を貼り、周縁に覆輪をつけ、縁近くに1条の圏線をめぐらして内外両区にわけている。内区の中央には蓮華座に坐す鋳銅鍍金の聖観音像を据え、背には唐草透彫の舟形光背、頭上は垂飾を下げた八葉蓮華形の天蓋、左右に花瓶一対を配している。懸仏は平安時代に隆盛した鏡像が立体的表現へと進んだものであるが、このように尊像の他に附属物が多くなるのは、鎌倉末期以降室町時代にみられ、これはその早い作例である。鏡板裏面の地板に墨書銘がある。 「奉懸 観世音菩薩御正体/右志者為現世安穏後世善処/寺中繁昌山内泰平乃至/法界衆生平等利益也/建治元年五月十五日/信心大法主僧祐慶/敬白」
  • Object Date: 鎌倉時代・建治元年(1275)
  • Type: Metalwork
  • External Link: http://www.emuseum.jp/detail/100455
  • Medium: Gilt bronze
Tokyo National Museum

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